| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
an influential ruler, established a new capital city Jaipur named after him in 1727 and shifted from Amer. Jaipur School of paintings thrived under... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
Gita Govinda, Ragamala, Bhagvata Purana, etc., got renewed stimulus. As elsewhere, many copies were also produced by means of tracing and pouncing.... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
IndianArt —PartII M aru R agini A particular set of Ragamala paintings from Mewar is, especially, important as one of its paintings bears crucial d... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
and a horse in motion that he accomplished by completely negating the rendering of the foreground. The horse is seen galloping so high in the air t... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
minimal and suggestive representation of architecture and elements of landscape. Nuruddin has ingeniously employed the device of soft undulating mo... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
Krishna. He writes about her in a poem Bihari Jas Chandrika, which became the basis for Nihal chand’s painting of Bani Thani, thus,representingable... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
2 |
story in the painting begins with the three mothers along with the wives of the princes proceeding towards the thatched dwellings. On seeing the mo... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
The Mughal School of Miniature Painting ughal painting is the style of miniature painting that M developed in the northern Indian subcontinent in t... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
which resulted in a harmonious blend of Indo-Iranian styles, especially during its early years. This celebrated eminence in Mughal art was possible... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
The Mughal patrons contributed to the proliferation of the Mughal style of painting with their distinct artistic preferences, choice of subjects, p... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
the Persian school of painting, Herat (now in present day Afghanistan), and was known for his sophisticated compositions and colour tints. Also, Sh... |
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| Class XII |
Physics |
Physics Part-II |
2 |
the smallness of the wavelength of visible light (in comparison to the dimensions of typical mirrors and lenses), light can be assumed to approxima... |
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| Class XI |
Accountancy |
Financial Accounting-I |
6 |
page no. 4 was carried forward to page 5 as ` 1,000 instead of ` 1,200 and total of page 8 was carried forward to page 9 as ` 5,600 instead of ` 5,... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
portraiture. A bibliophile of discerning sensitivity, Humayun’s rule began a period of intense patronage for the art of painting and calligraphy.Fr... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
the growing and peculiar Mughal sensibility and distinct imperial taste. The tradition and fascination for painting started by Humayun was carried ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
group of artists, who could be inspired by a number Museum of Applied Arts, of artistic traditions. The immediate natural surroundings Vienna becam... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
the Ramayana were also carried out around this time. Artists like Govardhan and Miskin were celebrated for their visuals of court scenes. Akbar Nam... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
flavour. Akbar had formalised the Mughal miniature style and set standards, which were further taken to new heights by his son Jahangir (1605–1627)... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
as, character traits, and distinctiveness of flora andfauna. Jahangir was presented with paintings and decorative objects, depicting high arts from... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
horse add to the ceremonious importance to this event as hands are raised and heads bow to saluteJahangir. Jahangir’s Dream (1618–22) by Abul Hasan... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
for the mighty emperor. Jahangir offers a booktoShaikhHusainoftheChistiShrine,descendent of Shaikh Salim, in whose honour Akbar had named his son ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
artists of that time. Rembrandt, a celebrated European painter, was deeply inspired by the Mughal court painting and made studies of several Indian... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
atelier and were welcomed by provincial Mughal rulers. These rulers imitated the Mughal royalties and wanted to recreate in paintings the glory of ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
artist would begin from the stage of making the composition, i.e., tarh, to portraits, i.e., chiharanama to the final stage of colouring, i.e., ran... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
3 |
philosopher. Translate them into the language of your choice. Create a manuscript with your translation in a calligraphic style and ornate borders,... |
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