| Class XII |
Fine Art |
An Introduction to Indian A... |
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themes, Shaivite subjects were also painted. An artist named Molaram is associated with the Garhwal School. Several signed paintings by him have be... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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starts looking for Radha, and on not finding her, laments for her. The messenger, now, goes to Radha and tells her of the longing of Krishna for he... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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his hands. A figure standing behind him politely bowing down probably represents none other than the artist of the painting, Nainsukh. This paintin... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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arms as one firmly holds on to the vessel on the head are all examples of amazing observation and excellent skill. Kangra painters, as discussed in... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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The Bengal School and Cultural Nationalism Company Painting rt in India had a different purpose prior to the coming of A the British. It could be s... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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works produced by self-taught artist, Raja Ravi Varma of the Travancore Court in Kerala. By imitating copies of European paintings popular in India... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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in subject matter but also in style. For them, Mughal and Pahari miniatures, for example, were more important sources of inspiration, rather than e... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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Kala Bhavana was India’s first national art school. It was part of the Visva-Bharati University founded by Rabindranath Tagore at Shantiniketan. At... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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themes like women and children, specifically, and rural life,enerally. However, the struggle between the Indian and European taste in art continued... |
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| Class XII |
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An Introduction to Indian A... |
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with modern art of this kind. It is in the paintings by Gaganendranath Tagore, brother of Abanindranath Tagore, that the influence of modern wester... |
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| Class XII |
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An Introduction to Indian A... |
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art. Therefore, it will keep moving from internationalism, i.e., draw ideas from the West, Amrita Sher-Gil, Camels, 1941. and indigenous, i.e., to ... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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More than 400 posters werepreparedatKalaBhavanaunderthesupervisionofBose, who was influenced by the idea of Gandhi. These posters place common peop... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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quality to his paintings. In this painting, Radhika is portrayed walking away from a lighted lamp in a gloomy background as if in a state of trance... |
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| Class XII |
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An Introduction to Indian A... |
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house. The painter has taken many references of stage props, partition screens, overlapping planes and artificial stage lighting. Endless corridors... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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C hild This is a gouache painting on paper made by Jamini Roy (1887–1972) in 1940. He was called the father of the folk renaissance in India, who c... |
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| Class XII |
Fine Art |
An Introduction to Indian A... |
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He revived certain aspects of Indian and oriental traditions of paintings in terms of themes, style and techniques, and invented the wash painting ... |
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| Class XII |
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An Introduction to Indian A... |
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The Modern Indian Art Introduction to Modernism in India ine arts was seen as European by the British. They felt F that Indians lacked training and... |
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| Class XII |
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An Introduction to Indian A... |
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colour patches. A landscape, portrait or still life may be called abstract if it draws our attention to an abstract design created by forms, lines ... |
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| Class XII |
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An Introduction to Indian A... |
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literary sources also interested them. Reprint 2026-27 The Modern ndia A rt 101 Rather than making paintings around well-known epics like Ramayana ... |
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An Introduction to Indian A... |
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of bold forms found in African masks. Roy, too, used simple and pure colours. Like village artists, he also made his own colours from vegetables an... |
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An Introduction to Indian A... |
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formed the Calcutta Group, which included Nirode Mazumdar, Paritosh Sen, Gopal Ghose and Rathin Moitra. The group believed in an art that was unive... |
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An Introduction to Indian A... |
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annoyance of the British. The Progressive Artists’ Group of Bombay and the Multifaceted Indian Art The desire for freedom — political, as well as, ... |
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An Introduction to Indian A... |
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art to show Indian themes, Raza made a similar claim with abstraction. Some of his paintings draw from old mandala and yantra designs, and even use... |
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An Introduction to Indian A... |
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to the past and local artistic traditions to create a unique Indian abstract art. This style became successful in the West and later in India and c... |
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An Introduction to Indian A... |
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about the importance of rough texture and surface in their works as a new artistic language. It included artists, such as Gulam Mohammed Sheikh, Jy... |
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