| Class XI |
Fine Art |
An Introduction to Indian A... |
4 |
stylistic features. This is the largest sculptural panel at Ajanta. Though there are several big images in the caves of Ajanta and especially locat... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
4 |
c e c i t c i i . r d e a e o t e d a t i r s v l a n i l e v h d e i r i f en d i e g o a a e i e d a c h w i l i i l l n O a ns e o e n e h n s t... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
4 |
T h r n a c b c . e t g e . t t a e a k r a g s e t e o p n a s e i e a a E e a i ru U i o v i i c i n i t r h e a a m r M y w u h f d t p s l v t ... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
4 |
Reprint 2026-27 |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
5 |
L ATER M URAL T RADITIONS VEN after Ajanta, very few sites with paintings have E survived which provide valuable evidences to that the sculptures t... |
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| Class XI |
Geography |
India Physical Environment |
3 |
The Indus (b) The Chenab (d) The Jhelum (iv) Which one of the following rivers flows in a rift valley? (a) The Son (c) The Yamuna (b) The Narmada (... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
5 |
It is noteworthy to observe that the contours of different parts of the face create protruding structures of the face itself. Thus, with simple lin... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
5 |
lighter background. The body is rendered in yellow with subtle modelling. Supple limbs, expression on the faces of dancers, rhythm in their swaying... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
5 |
Lepakshi Reprint 2026-27 LATER M URALTRADITIONS 65 elongation of the physiognomic features of human figures— all these represent the perfection the... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
5 |
two different periods—of the fourteenth and the seventeenth century. Early paintings depict scenes from the life of Vardhaman Mahavira. The Nayaka ... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
5 |
derived sources from oral traditions and local versions of the Ramayana and the Mahabharata for painted narration. More than sixty sites have been ... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
Temple architecture in India (Outline map not to scale) Reprint 2026-27 6 T EMPLE A RCHITECTURE AND S CULPTURE OST of the art and architectural rem... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
ORM OF THE H INDU TEMPLE The basic form of the Hindu temple comprises the following: (i) sanctum (garbhagrihaiterally ‘womb-house’), which was a sm... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
deity may remain the same for centuries, its specific usage at a spot can be a response to its local or immediate social, political or geographical... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
located directly under the tallest tower. There are many subdivisions of nagara temples depending on the shape of the shikhara. There are different... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
ancient building forms that were Dashavtara Vishnu already in existence before the fifth century CE. The valabhi temple, Deogarh, fifth century CE ... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
a total number of five shrines, hence the name, panchayatana). The tall and curvilinear shikhara also corroborates this date. The presence of this ... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
accessed by Kandariya Mahadeo temple, stairs. There are four smaller temples in the corners, and Khajuraho all the towers or shikharas rise high, u... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
after the seventh century. Several such temples were dedicated to the cult of the yoginis across Madhya Pradesh, Odisha and even as far south as Ta... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
the early eleventh century they had become a part of many temples. This hundred-square-metre rectangular pond is perhaps the grandest temple tank i... |
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| Class XI |
Geography |
India Physical Environment |
4 |
temperature and pressure occur in north-western India. (d) ‘Loo’ blows in the North-western India. 2026-27 CLIMATE 41 2. Answer the following quest... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
fourteenth centuries, a distinct regional style developed in Assam. The style that came with the migration of the Tais from Upper Burma mixed with ... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
and Pandua. Many local vernacular building traditions of Bengal also influenced the style of temples in that region. Most prominent of these was th... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
Bengal, lie the majestic ruins of the Surya or Sun temple built in stone around 1240. Its shikhara was a colossal creation said to have reached 70m... |
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| Class XI |
Fine Art |
An Introduction to Indian A... |
6 |
south as Kanchipuram. As a result both Buddhist and Hindu traditions began to intermingle and spread in the hills. The hills also had Reprint 2026-... |
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