| Class XI |
Fine Art |
An Introduction to Indian A... |
7 |
as Hindu gods and goddesses. Most of these were created during the eighth, ninth and tenth centuries and have a very distinct style in comparison w... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
7 |
technique and art of fashioning bronze images is still skillfully practised in South India, particularly in Kumbakonam. The distinguished patron Na... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
7 |
of Tamil Nadu. The ninth century kalyanasundara murti is highly remarkable for the manner in which Panigrahana (ceremony of marriage) is represente... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
S OME A SPECTS OF I NDO -I SLAMIC A RCHITECTURE N the seventh and eighth centuries CE, Islam spread towards I Spain and India. Islam came to India,... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
necessities, architectural building like mosques for daily prayers, the Jama Masjids, tombs, dargahs, minars, hammams, formally laid out gardens, m... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
Mughal tombs. D ECORATIVE F ORMS These forms included designing on plaster through incision or stucco. The designs were either left plain or covere... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
cased over with chunam or limestone plaster or dressed stone. An amazing range of stones were utilised for construction such as quartzite, sandston... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
circles or falling to his death several hundred feet below. The Gwalior Fort was invincible because its steep height made it impossible to scale. I... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
is a 210- feet-high tapering tower divided into four storeys. Painted peach now, its façade once boasted of chevron patterning on the encaustic til... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
the cultural mores of the times and at the level of the people. S TRUCTURES FOR C OMMON PEOPLE One of the architectural features of medieval India ... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
a s o m a n i s b lc t na t t o a y e e d g - , . y e x d t n t f a o e r e y a d d a w e e t e s i i n c b u l I o c ic f B m m d , e t t t s d d ... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
n i h d j p a s w K h I d a f a i n l re l a s l e t d f e o h t a b i e i e i t t t a d g a a r ps p i h , b o t r s d i i n s n e v t d a o c M a... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
s S h c t d M t e a l n e n m f o i R b u i y u c w f l h ’ i y s e c a h u d c h a i l o o . c h f c i a e i h e d a c o t a r e e u j u s u M c v... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
Mandu is regarded as too close to the structures of Imperial Delhi to make a bold statement of local traditions. Nevertheless, the so-called robust... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
of the building is topped with a drum and dome and four cupolas forming a beautiful skyline. The plinth, the walls of the structure and the drum-do... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
Calligraphy provided a decorative element on the walls and a continuous connection with the Almighty. Reprint 2026-27 122 ANINTRODUCTIOINDIAART D A... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
s D r S s u h t n m a o h r a i e t e d a g g i . i e s p s s e i K t m f i w e t h o i l l w a t m h e t i v d e s n i y n r i f e h o w d o h i h... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
u e e t a a ed i a i a r d i 6 u m d e h r d g e n l i r e r t a s s s w f m a o e r r e a B 6 B t n a gt w r i b a o u p o t d t e r o d v o g s m... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
w r t t T d r h r t o a h e y t i e i o a i l l c D o m a a i t rd T e d d i e n u T h s t e T m a A m m r G d c h d l e m G m S e ga ag o o a W f ... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
XERCISE 1. What do you understand by the term ‘Indo-Islamic’ or ‘IndoSaracenic’ architecture? Can you think of another nomenclature? How did this a... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
architecture Ardhmandap Semi-hall in front of garbhagriha of the temple Ashtadikpalas Guardians of the eight directions Ayudhas Weapons Batter Slop... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
in Mehrauli and Turkish Sultan’s palace in Fatehpur Sikri, Agra Dargah Shrine of a Sufi saint, where the saint’s grave called mazar is located Dham... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
A shrine of square plan Lapis lazuli A rich blue semi-precious stone. The main source in the ancient world was the mountains of Badakshan, northern... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
in Delhi Quartz A variety of stone found in many parts of the world and variously used for toolmaking and in ceremonial contexts. Varieties of quar... |
|
| Class XI |
Fine Art |
An Introduction to Indian A... |
8 |
colour ranging from dull ochre to red Tessellation Decoration on walls and floors with mosaic Torans Carved, serpentine-shaped ceremonial gateways ... |
|